Aasiya Khalil
Aikaterini Aznaourova
Aleksandra Cwikla
Alice Ferrante
Alexandra Andrews
Amy Bean
Ana Lucia Sarabia Villegas
Ananya Dunn
Andrea Werres
Anna Savel
Arthur Rowe Jones
Ash Mohammed-Grange
Avina Jain
Bella Yahin Geiwald
Bobby Ingham
Bradley Claytor
Bridget Mosiya
Caleb Woodward
Cam Harris
Cassandra Dickinson
Charlotte Ross
Cherrie Tong
Chloe Eia Hancock
Cornelia Skrok
Daniela Morris
Elissa Lenoir Ajaka
Ell Lenton
Ella Clancy
Ellecia Marie
Ellen Brandi
Elliott Bulman
Eunbyeol Choi
Flo Bender
Freddie Alexander-Morris
Gal Patal
George Murphy
Gerrick King
Gruffudd Drury
Haitian Xu
Han Bao
Hannah Stockwell
Iman Amjid
Isa Rios Martinez
Isla Burnett
Isabelle Van Zijl
James King
Janine Mody
Janvi Jain
Jiachen Shao
Jihun Lee
Joshua Haswell
Josselin Demelier
Kainuo Huang
Karen Tadrous
Kayla Russell
Ke Bao
Kyeongjin Kim
Leeso Kweon
Leslyn Zhou
Liberty Leatherbarrow Stokes
Lucy Lay
Luke Cahalin
Manil Rai
Mathilda Schmidt
Maya Seth
Maya Tastet
Megan Lim
MengTing Ruan (Stella)
Oli Roper
Panka Fürjes
Qiuxuan Jin
Qiyang Yu
Reid Jameson Potts
Samina Rahman
Sayuri Okazaki
Scarlett Hayes
Seungbum Ha (John)
Sohyun Lim
Stefano Stavrou
Stephanie Pyburn
Tara Ferguson
Teodora Dimitrova
Therese Mastek
Tom Heap
Tongzheng Chu
Violet Wang
Xiaohua (Laura) Liu
Xinyi Zhang
Ya Lucia Kang
Yangzhizhuo Qu
Yawen Chen
Ye Zhang (Lily)
Yeji Kim
Yelley Genkin
Yichen Liao
Yuanming (Krystal) Song
Yufei Liu
Yuming Xu
Yuna Goda
Zhaowei Wang
Zih-Jie Weng (Artemis)
Ziru Wang
Pedal. Push. Perambulate.
Freddie Alexander-Morris
Expanding on the ideas of Psychogeography, Guy Debord, and the Situationist International, ‘Pedal. Push. Perambulate.’ explores three separate exploratory dérive journeys, all beginning at the same location. The existing contributions to the concept of the dérive have revolved solely around the act of walking, thus, ‘Pedal. Push. Perambulate.’ investigates how our experience of space changes depending on how we traverse it, whether that be via walking, cycling, or skateboarding.
The project highlights the different ways we experience urban environments depending on the mode of transport being used to do so, investigating the difference in routes we take, the recognition of the changes in pace, and certain things we notice (or fail to notice), such as, people, vehicles, artefacts, architecture, conversation, juxtaposition, and texture.
The use of the harsh, gritty, monochromatic imagery throughout the project is used to highlight detail that we often fail to perceive, relating to the ideas of the dérive, involving playful-constructive behaviour, awareness of psychogeographical effects and identifying aspects of the urban environment which are ordinarily overlooked.
‘Pedal. Push. Perambulate.’ is presented in the form of a 10-minute film and an A3 newsprint publication.
Instagram: @freddieam
Website: freddiealexandermorris.cargo.site
Email: freddieam@googlemail.com
